Mini Book Review: Doc or Quack

I saw the 2025 book Doc or Quack: Science and Anti-Science in Modern Medicine (by Sander L. Gilman, on Reaktion Books, UK) and thought I had to read it right away.

It seems like a well-researched work, but 70 pages in, I think there needs to be a re-edited or re-written edition because, so far, it is a collection of historical information the point of which is unclear. In fact, the point the author is trying to make—at least, the impression I have of what point the author is trying to make—keeps shifting. The reason for this, it seems to me, is that there are little to no connecting phrases between sentences: no ‘therefore’, ‘nonetheless’, ‘despite’, ‘moreover’, ‘yet’, ‘furthermore’, ‘similarly’, ‘in contrast’, ‘unlike’, ‘having said that’, etc. The sentences that seem to be taking us in different directions follow one another (at least for the first 70 pages) without any indication of what the author wants us to make of them.

What I’ve been able to work out is that the definition of ‘quack’ was at best arbitrary and at worst entirely based on power. I was aided in reaching this conclusion by having read half a dozen other books on the history of medicine. Those other books claimed quite clearly that so-called mainstream medicine did more harm than good prior to the twentieth century. This helps me try to nail down what the author is getting at, but I cannot be certain I’m not misunderstanding because every two or three sentences, he seems to be heading off in a new direction.

For instance, the passages discussing how the Third Reich planned to make homeopathy part of their “legitimate” institution of medicine (and then got distracted) have come up a couple of times without any clear explanation of what the author is getting at by bringing up that history.Reaktion Books needs to take another editorial pass through this work, which promises to be very enlightening, but fails to be decipherable.

quick note…

Books, music, and TV in 2025: There has been unusually good stuff lately for me. I’m just going to mention them by name and give some quick impressions. I don’t know if I’ll write reviews later, but definitely not now.

NONFICTION BOOK: Who Needs Classical Music? Cultural Choice and Musical Value (Julian Johnson): brilliant, thorough, balanced, enjoyable.

NONFICTION BOOK: Epistemic Injustice: Power & the Ethics of Knowing (Miranda Fricker): precise and thorough.

NONFICTION MUSIC-INSTRUCTION BOOK: Decoding Afro-Cuban Jazz: The Music of Chucho Valdés & Irakere (Chucho Valdés & Rebeca Mauleón).

FICTION BOOK: A Closed and Common Orbit (Becky Chambers): a marvelous treatment of questions of personhood and consciousness, perhaps up there with Hofstadter & Dennett’s The Mind’s I.

“TV” SHOW: LUCIFER (NETFLIX): The best-concluded show I’ve ever seen: It’s not my favorite show ever (probably my third, definitely in my top five), but it is the most satisfying way to complete a show I’ve yet seen (better than my favorite show, Babylon 5, and my second-favorite show, The Good Place).

LIVE MUSIC: Helmet, at the Crocodile, Wednesday, March 5, 2025: I didn’t know music could be this heavy and be this tight. I do believe there was exactly one bad note in that whole performance. And Helmet is definitely even better live than in the studio (I now think) because having the vocals take a back seat and having the guitars and the perfect drummer for this band be so up front in the mix made the music better in a way I could not have imagined previously.

RECORDED MUSIC: I’m slowly getting familiar with and really digging ONDA by (Korean band) Jambinai. Check them out if you like originality and surprise in your rock music.